Myron Fagan on the Media Cartel [1967]

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I recently stumbled upon an old recording that warned of a “one-world government enslavement plot” using the United Nations and CFR as its headquarters. While researching the speaker, I came across a story that has captivated me for days; it has filled in even more gaps for me about the “rigged media” in particular, as well as how this global control agenda has managed to infiltrate our lives.

This post is a collection of notes I took while researching who Myron Fagan (the speaker in the video below) is, how he obtained this information, and his journey to warn the world, where he discovered just how completely controlled the mass-media has been since the beginning! It explains the censorship, vilification, smear tactics, and media disinformation over the past 4 years (and 77+ years, all the way back to its inception) and how they’ve managed to brainwash, control, and destroy societies the world over, and how important it is to make the public aware because this plan doesn’t have an expiration date; it’s “until the goal of complete control is achieved.”

BitChute (See end of post for links to full lecture)

Myron Coureval Fagan (October 31, 1887–May 12, 1972) was a Jewish American writer, producer, and director. He is remembered for attending a Senate/FBI/Army/Navy/Congress meeting where the plot for a one-world government was revealed—a meeting that dramatically changed the course of his life because he was asked by these officials to write a play to reveal the agenda to the public (because when it was revealed to the Press, they refused to touch it).

He went from being a playwright to spending the rest of his life warning about the CFR, Rothschilds, and the coming UN communist takeover. He revealed the stranglehold the group had over the mass media and academia and their use of mind-control in Hollywood, the press, and “peace policies,”, and revealed the methods of how they entrap high-level officials, and how they recruit and indoctrinate loyal followers to ensure their Luciferian end-game is achieved no matter how many lifetimes it takes. (01)

Arrived on Broadway
  • Became one of the youngest playwrights in American Theatre. 
  • He also be­came the dra­matic ed­i­tor of the As­so­ci­ated News­pa­pers.
  • Broadway was his world until 1930.
  • Worked with a lot of the stars in the world of entertainment and were close friends with them until 1945 when he suddenly discovered that Hollywood had become a cesspool of treason. (02)
Wiki2 – A big list of his pamphlets and a more complete list of his films (03)
Director of public relations
Fagan took a break from theatre to work as director of public relations for presidential candidate Charles Evans Hughes.
Charles Evans Hughes was Governor of New York (1907–10), Associate Justice of the Supreme Court (1910–16), Republican Presidential candidate (1916), Secretary of State (1921–25), and Chief Justice of the U.S. Supreme Court (1930-41). (04)
Moved to Hollywood
In 1930, Mr. Fagan came to Hollywood, where he served as a writer and director with Pathe Pictures, Inc., then owned by Joseph P. Kennedy, and also at 20th Century Fox, and other Hollywood Film Studios. (05)
IMDb list of films (06)
John T. Flynn
While he was in New York directing a new play, he was visited by an old friend, John T. Flynn (famous author of The Roosevelt Myth, While We Slept, and The True Story of Pearl Harbor), who urgently requested he attend a special meeting set up for him the following week in Senator Vandenberg’s office in Washington.
Fagan hadn’t been active in journalism or politics for many years and couldn’t understand why he was being “summoned to a meeting in Washington.” John couldn’t tell him and simply said it was terrifically important—“the most important event of your entire life.”
John Thomas Flynn (October 25, 1882– April 13, 1964) was an American journalist, author, and a political liberal who turned conservative. (07) (08)
  • He became one of the best-known political commentators in the United States
  • Best known for his criticisms of “the New Deal” put forward by President Franklin D. Roosevelt, and to American entry into World War II.
  • “…we are steadily approaching the conditions which made Fascism possible.”
  • He was one of the founding members and New York state chairman of the America First Committee.
  • The Committee charged that Roosevelt was using lies and deception to ensnare the United States into another war. It mounted campaigns against Lend-Lease, the Selective Service, and other initiatives by Roosevelt.
  • The America First Committee disbanded in 1941 after the Japanese attack on Pearl Harbor, and Flynn turned increasingly against New Deal liberalism, which he regarded as a “degenerate form of socialism and debased form of capitalism.”
  • He was a key advisor to the 1934 Nye Committee, which investigated the role of the so-called “merchants of death” (munitions manufacturers and bankers) in leading to U.S. entry into World War.
  • In 1944 he wrote a sharp critique of the American drift toward statism: As We Go Marching, and many other books including The Roosevelt Myth, as well as pamphlets are articles which are listed here.
Communist Control of the World

The Top SECRET meetings at Yalta were attended only by Franklin Roosevelt, Alger Hess, Harry Hopkins (representing the US), Joe Stalin, Molotov, and Vishinsky (representing Moscow), and Chip Roland (serving as interpreter).

The meetings were secretly recorded by Stalin:

  • The microfilms and recordings of all the meetings had been secretly made by Stalin to be used as a club over Roosevelt’s head should Roosevelt ever try to renege on his part of the betrayals.
  • The underground in Russia had managed to get copies of both the microfilms and the recordings.
  • They sent two sets of both to the United States, one set to one of the US intelligence agencies, and another set to Senator Vandenberg.

The recordings reveal a horrifying story of how the American traitors deliberately delivered all the nations and the Balkans and Eastern Europe to Moscow and how they set the plans to deliver mainland China to communist control.

Shown recordings of secret meetings
Mr. Fagan attended the meeting in Senator Vandenberg’s office in Washington, D.C., also attended by other officials, including other congressmen, Army and Navy intelligence, and the FBI, where he was told the entire story of what had happened at the top secret meetings in Yalta, and why he was asked to be there. (09)
I don’t know if I’m looking in the wrong places, if it’s been scrubbed, or if this is evidence that places doubt on Fagan’s testimony, but everywhere I try to find supporting evidence about Senator Vandenberg, it seems to go nowhere. He was instrumental in the creation of the United Nations (and yet I find nothing public that indicates any backtracking after finding out about its intended use as HQ for the NWO). He was opposed to “some” things the group tried to implement, but there is far more that indicates him being an avid supporter of Roosevelt (who was revealed as the traitor in the secret meeting) and a supporter of NATO (North Atlantic Treaty Organization). There are some reports that seem to show that he seemed to change his position “overnight,” which could be a clue to something, but I am running around in circles trying to validate this section, which I think is crucial to figuring out if this meeting actually took place (I will continue looking as time permits). (10) (11) (12) (13)
  • In 1945 Vandenberg was a U.S. delegate to the United Nations Conference in San Francisco (was this before or after this revealing meeting?)
  • In 1946 he was a delegate to the United Nations General Assembly in London and New York, and was also an advisor to the Council of Foreign Ministers in London, Paris and New York in 1946. (this would be “after” the meeting)
  • He became the Chairman of the Senate Foreign Relations Committee [1947-1949]
  • He passed away on April 18, 1951, while still in office, succumbing to complications of lung cancer.

Controlled Media

In addition to learning about this one-world government plan, in trying to reveal it to the press, they also learned how utterly and completely controlled all mass-communication media were by the masterminds. (14)

YouTube | Mp3 Download | Brighteon

Immediately after discovering the plot, Senator Vandenberg and the others called a press conference with virtually all newspaper correspondents in Washington, heads of the Associated Press, and others, and after revealing the entire story, Vandenberg wanted them to “Front Page” the entire act of treason, but the answer was an emphatic “no”; they wouldn’t dare even admit they’d seen the films or heard the recordings; “it would be the end of their careers.”

Vandenberg then called in the heads of NBC, ABC, CBS and other broadcasting channels and asked them to reveal the story on the air. He got the same response. The radio people pointed out that the Federal Communications Commission was controlled by the Roosevelt administration and the CFR, who could and would cancel their licenses if they uttered one word about that Yalta treason plot.

Getting nowhere, Vandenberg came up with the idea to reveal it on film, so he and other members of Congress flew to Hollywood, but they were turned down by all of them: Harry M. Warner, the head of Warner Brothers, Louis V. Mayer, MGM, and other Hollywood producers.

When they ran out of ideas, they decided to find someone who could do a legitimate play, calling out the entire treasonous plot, naming names, including the United Nations and CFR, and so on, which would serve the same purpose as a film, albeit without the instantaneous nationwide sensation. They knew that if they named names, there would be libel law suits from some of the perpetrators, and they counted on that because at least then the press would have to report on it. (15)

Red Rainbow and Thieves Paradise
As a result of that viewing, Mr. Fagan wrote two plays to reveal the entire plot: Red Rainbow and Thieves Paradise.
Red Rainbow (portrays Franklin Roosevelt, Joseph Stalin and others in Yalta plotting to deliver the Balkans, Eastern Europe and Berlin to Stalin.)
Thieves Paradise (portrays the same group plotting to create the United Nations as a Communist front for One-World Government.)

Blocked at every turn

In being put forward by his friend John to the Senator as someone who would write the play for them, he pointed out that:

“…naming Roosevelt, Hopkins, and Alger Hess, who was then being hailed as the hero founder of the great “United Nations to ensure Peace” would expose me to libel suits but before I could say “…and wreck my career”, Vandenberg interrupted with “that’s exactly what I hope will happen-such libel suits could not be ignored by the press, it would automatically reveal the entire great conspiracy, and torpedo the United Nations as the proposed housing for their “one world government.”

“I recognized the truth of Vandenberg’s statement, and I knew that I would be provided with plenty of defence against libel suits because truth cannot be considered libellous, nevertheless, the idea of writing such a play stunned me.”

“Having already been told how all the Hollywood moguls and Broadway producers viewed the entire matter, I was faced with the hardest decision of my entire life that would not only effect my career (potentially blacklisting me from Hollywood and Broadway), but two other people’s futures were at stake—my wife and son; no more lush salaries from the film industry, royalties, or luxuries; and my son’s assured career on Broadway could be affected.”

When he explained what he’d been asked to do to his family, they were supportive and both agreed that loyalty to God and country came first, so he wrote the first play, “Red Rainbow,” within a couple of weeks. But when he went to arrange for a cast and theatre, he found out just how infiltrated the industry was: The masterminds had gotten there first.

He was greatly surprised when the first man he approached, Lee Shubert (who owned and controlled most of the theatres in New York and throughout the nation), with whom he’d had close business relationships in the past, having booked all his previous plays with him, had already received warnings via letters and telegrams that if he permitted Red Rainbow or “any anti-communist play” to be staged in one of his theatres, that all of his theatres would be “stench-bound.”

When he contacted other theatre owners, even those he knew to be loyal Americans, they had all been similarly intimidated, and, like Schubert, urged him to forget Red Rainbow.

Disappointed but undeterred, he decided he would get an off-Broadway rental theatre and began lining up a cast. Another roadblock. All of them had been threatened that their appearance in “Red Rainbow” would mean the end of their careers.

At the same time, two prominent newspaper dramatic critics, told him that they would be forced to tear Red Rainbow to shreds in their reviews and warned that if he persisted in producing it, it would end his career.

This woke him up to the terrifyingly complete control they had over legitimate theatre, and all doors on Broadway seemed to be closed, but he was stubborn and determined, and he decided to take the play to Hollywood because he had hundreds of friend-stars and top actors who had already appeared in his plays and films, and he felt confident that Hollywood would save the day.

He hadn’t yet learned that the Actors Equity Association (the actors union) had warned all members to avoid Red Rainbow like the plague.

“…which goes to show how naïve I was at that time, how little I knew of the red conspiracy in the entertainment world, and how little I knew of the overall great conspiracy to destroy the sovereignty of our nation, because the moment I mentioned Red Rainbow in Hollywood, the very same things that happened on Broadway were duplicated in Hollywood—only more so: every theatre owner and every actor trembled with fear at the very mention of Red Rainbow.

On top of that, some of my closest friends in the industry confidentially informed me that I had been “tried in absentee by the Hollywood moguls” (some of whom I had considered my very good friends), and the verdict was that if I persisted in my efforts to produce Red Rainbow, I would be a “dead duck on every lot in Hollywood.”

Realizing he was stonewalled, he decided to forget about Red Rainbow but did not give up his determination to expose the treason, so he wrote a new play doing the same kind of exposing but making it more covert.

The new play “Thieves Paradise” was about the domestic problems of a family living in Bulgaria, which was a distinctly humorous story. The first two acts sounded like some of his earlier comedies, and he carefully spread the word that it was just that type of play, so there were no roadblocks to renting a theatre or getting a cast. The third act was devoted to the exposition, so he was careful not to show anyone who could roadblock it the entire manuscript, and the actors were carefully chosen as zealously loyal to America.

After the first week of rehearsals, all the actors were being harassed by anonymous phone calls threatening them and their families with dire consequences—even assassination—unless they pulled out of the play.

A few days before the opening performance, someone tried to run the star, Michael Whalen, off a cliff.

Infuriated, Fagan announced that on the opening night, he would deliver a curtain speech and reveal 100 of the stars, writers, and directors—the backbone of the entire “red conspiracy” in Hollywood.

That statement was brought to the attention of Jimmy Fidler, a prominent radio commentator in Hollywood, who devoted his entire Sunday night broadcast to it.

Until that night, 99% of the public had no idea their idols had been so involved in his treasonous conspiracy, so the shock when he named the great celebrities, including Charlie Chaplin, Lucille Ball, Humphrey Bogart, Marlon Brando, Betty Davis, Kirk Douglas, Henry Fonda, Catherine Hepburn, Gene Kelly, Gregory Peck, Frank Sinatra, and others, rocked everyone.

His speech made the front pages and was aired by radio commentators across the country (all blasting him as a liar), but it activated Congressman Parnell Thomas, then Chairman of the House Committee on Un-American Activities, who flew to Hollywood to question him as he had recently held a preliminary hearing in Los Angeles, where he heard evidence that gave him grounds to call for a thorough investigation and was also being vilified in the media, as well as threatened that if he went ahead with the hearings that they would destroy him politically (which they did).

Cinema Educational Guild
Mr. Fagan also launched a one-man crusade to unmask Hollywood, which had set about producing films that would aid that One World Government plot. Out of that came the Cinema Educational Guild.
Red Conspiracy Congressional Hearings
As a result of the work of the CEG, headed by Mr. Fagan in 1947, came the congressional hearings at which more than 300 famous stars, writers, and directors from Hollywood, radio, and TV were investigated and unmasked as the chief activists of the “Red Conspiracy,” many of whom were blacklisted as Communists.
These hearings resulted in the imprisonment of the infamous “Hollywood Ten“. It was the most sensational event of the decade.
Unmasking the Media
Rigged-Media cartel docs
Pamphlet: News Bulletins:
  • 40 PDF Freedom of the Press to Promote Treason (1954)
  • 54 PDF Drive the REDS out of Hollywood (1957)
  • 55 PDF WHY “The People” Must Drive the Reds out of TV (1957)
  • 81 PDF Hollywood TV Reds Have Acquired Strange Protectors (1961)
  • 83 PDF The Most Fantastic Apologist For Hollywood-TV Reds
  • 99 PDF “How they Brainwash”
  • 101 PDF How our Press Brainwashes the American People
  • 102 PDF More About Brainwashing by an Expert Political Analyst (1954)
  • 104 PDF How Hollywood is Brainwashing the People (1964)
  • 125 PDF How to get the REDS out of all Mass Communications Media (1967)
Rigged-Media Books:
  • Book PDF They are bringing the REDS back into Hollywood! (1951)
  • Book PDF How we are being brainwashed (1956)
Recorded Red Stars Over Hollywood
In 1968, he recorded another three LP spoken voice recordings, titled ‘Red Stars Over Hollywood‘.
Hollywood Recordings
Transcripts, Videos, and Audio
Red Stars Over Hollywood

His story of trying to get the word out to the public is just as revealing and interesting as the conspiracy itself, and it also demonstrates the importance of owning and controlling the media; it shows how we must understand just how infiltrated the media, the government, and all of the world’s top corporations are if we are ever going to get to the truth.

I’ll stop taking notes here because I’m short on time, but I highly recommend listening to his “Red Stars Over Hollywood” audio for the rest of the story on how infiltrated the media is—it’s so interesting and explains so much of the past 4 years more completely, especially knowing this recording was released in 1968—over five decades ago! And he discovered how infiltrated it was in 1945—77 years ago! Imagine how much more controlled it is now!

Devoted rest of his life to alerting humanity of UN and One world Government Communist Plot
After the congressional hearings, he devoted all of his time and efforts to writing monthly News Bulletins for CEG in which he has kept up the fight to alert people to the plot to destroy the sovereignty of the United States of America and the ensuing enslavement in a United Nations’ One World Government.
He did not produce any further work for stage or screen, instead spent the remainder of his life warning about the new world order and communist takeover. via pamphlets, books, and LP recordings.
Downloads and Links
Books, Articles and pamphlets
The Illuminati and the Council on Foreign Relations
Between 1967 and 1968 Fagan recorded ‘The Illuminati and the Council on Foreign Relations‘, three LP records allegedly documenting the activities of a secret society known as The Illuminati.
This recording reveals the beginning of the One World enslavement plot that was launched two centuries ago by one Adam Weishaupt, an apostate Catholic Priest who- financed by the House of Rothschild-created what Weishaupt called the Illuminati.
Mr. Fagan describes, with documentary evidence, how this Illuminati became the instrument of the House of Rothschild to achieve a One World Government and how every war during the past two centuries was fomented by this Illuminati.
He describes how Jacob H. Schiff was sent to the United States by the Rothschilds to further the Illuminati plot and plotted to:
  • get control of both the Democratic and the Republican Parties
  • seduced our Congress and our Presidents to achieve control of our entire money system
  • create the Income Tax cancer
  • with his co-conspirators created the Council on Foreign Relations to control our elected officials to gradually drive the U.S. into becoming an enslaved unit of a United Nations, One World Government.
Illuminati-CFR Recordings
Transcripts, Videos, and Audio
Died 1972

I hadn’t realized just how interesting “getting the word out” to the public would be or how captivated I’d be by the “Rigged-Media” aspect of his journey, but the contents of the agenda itself are the most important part, which I haven’t even covered yet! This post is already far too big, and I’ve already got 2 other drafts that continue the story, one with the actual timeline, but it’s Christmas Eve, and I won’t get to either of them today. But I’ll upload the video on my Rumble channel when I can find a non-corrupt version of it (lots of links to scrambled ones) and then update this post and create a timeline after Christmas.

Update: Jan 7th, 2022. Finally uploaded my notes, refs, links and transcript to this post:
Myron Fagan On United Nations As A Communist Front For One-World Government [1967]


Penny (
Penny (

Truth-seeker, ever-questioning, ever-learning, ever-researching, ever delving further and deeper, ever trying to 'figure it out'. This site is a legacy of sorts, a place to collect thoughts, notes, book summaries, & random points of interests.